mighty.bo@zahra


HOPE 2024


Transition


The Maze


Shades of Blue


Dream


Middleground


Clay City


Memories of Iceland


V


Nightview at the Countryside


Interplay, Hollis Taggart Gallery, Nov 30th 2023 – January 6th 2024

Interplay
Hollis Taggart Gallery 521 W 26th St, New York, NY
November 30th 2023 – January 6th 2024

REVIEW


­­Zahra Nazari: Interiors

In her Interiors painting series, American Iranian-born painter Zahra Nazari draws on prominent features in classical Persian and Islamic architecture—decorative botanical motifs, arch, and particularly, iwan, the large, vaulted hall semi-enclosed and usually walled on three sides, with one end entirely open. Many scholars believe its origin can be traced back to the Parthian era. While looking at Nazari’s luminous surfaces, it may be interesting to keep in mind the dual role of the Persian arch—it serves both decorative and functional purposes—this richly decorated key aesthetic element in Persian architecture functions not only as an ornament but also as a structural support that provides stability. It is also designed to moderate the amount of sunlight that enters space, especially in iwans or other open spaces. Nazari’s frequent use of Mylar as a surface stirs a play on the notion of external and internal light, and simultaneously, her saturated color palette invokes a hot and arid climate with bright, sunlit days and crisp nights. Repetitive and rhythmical, these motifs coalesce into energetic, translucent, and luminous surfaces, evoking an interior space in flux.

Zahra Nazari elaborates on her ideas and process in this interview with Art Spiel:

WORK



Curvature


Droplets


Whisper of Rain


Mayan Market


Izamal


Zahra Nazari: A Retrospective, Cinema Supply, Sept 15th, 2022 – March 31st, 2023

Zahra Nazari: A Retrospective Exhibition
Cinema Supply, 217 W 21st Street, New York, NY
Sep 15th, 2022 – March 31st, 2023

REVIEW


Iranian-American Zahra Nazari’s abstract architectural paintings bring together two distinct worlds

Zahra Nazari’s work is a unique composite of gestural abstraction and intricate architectural painting. This combinations creates a compelling visual narrative with a mixture of pure abstraction and geometry gives the viewer a reason to stop, stare, and wonder. Today, her artwork is known for its gestural rhythms, layered density, organic feel, and the use of architectural and floral influences inspired by traditional formats from her native land of Iran. The artist herself offers a captivating tale of an artist who risked everything to break into the New York artworld–more on this later.

After getting a sneak peek of her latest exhibition at Cinema Supply–the recently renovated former warehouse building at 217 W 21st Street in Chelsea, NY, and a tour of her new studio, Art Review City is pleased to share her unlikely, and often surprising, story with our readers:

WORK



Blue Sky, Mérida


The Rose Room


Intimacy


Memories


Framework


Invisible Cities


Optimism


Reflections


217 W 21st Street


Townhouse Row in Chelsea


The Circle of Life

EXHIBITIONS



Thought Process

EXHIBITIONS



Blue Interior

EXHIBITIONS



Moonlight

EXHIBITIONS



Infinity

EXHIBITIONS



The Luxury of Life

EXHIBITIONS



Le Château


The Joy of Life


The Foundation House


The Great Room


Architectural Corners


Inside-Out Oculus

EXHIBITIONS



One Column at a Time


Stepping Up

EXHIBITIONS



Condo #4

EXHIBITIONS



Santa Fe’s Sky


Wander


Organic Architecture


Penthouse View


Metropolis


Rays of Light


Unification #2


UNIFICATION, High Line Nine Gallery, May 1st – 15th 2021

Unification Exhibition
High Line Nine Gallery, 507 W 27th St, New York, NY
May 1st – 15th 2021

PRESS RELEASE


Roya Khadjavi Projects is pleased to showcase an exhibition of sculptures and paintings by multidisciplinary artist Zahra Nazari at High Line Nine Gallery (507 W 27th St, New York, NY, 10001). Public opening reception will be held for the artist on May 1st from 5 to 8:00 p.m. The exhibition will be on view through May 15th.

Unification is an artistic project rooted in the formal blending of Persian and Western influences. It emerges from Zahra Nazari’s exploratory practice in painting and sculpture and her identity as an immigrant from Iran in the U.S.

In the paintings and works on paper, Nazari represents architectural forms with flowing, abstract lines. She derives inspiration from the spectacular 17th century monuments of the Safavid dynasty in Isfahan, such as the Shah Mosque, the Ali Qapu Palace, and its Music Room. Traces of Persian archways, niches, vaults, lattices, and the eight-pointed star are combined with fractured and deconstructed architectural shapes.

Nazari’s sculptures are a fusion of 17th century Persian monuments and Western and postmodern architecture. Built from stainless steel and displayed directly on the ground, the geometric patterns of the sculptures cast shadows and reflect lights onto the surrounding areas enabling a multidimensional experience. Nazari’s use of industrial material alludes to sculptors such as Anthony Caro and Robert Morris, who manipulate solid raw steel into lyrical, freeform shapes. Nazari’s deconstructionism additionally intimates the works of architects like Zaha Hadid and Frank Gehry.

Zahra Nazari (b.1985 in Hamedan, Iran) is a New York based painter, sculptor, and installation artist working with architectural themes.

She has given artist talks and participated as a panelist at institutions including NYU, Columbia University, Cooper Union, and Pratt Institute in New York City. She has been interviewed by and published in Hamptons Art Hub, Hyperallergic, Whitehot Magazine, ZH Magazine, and more. Her works are included in private and public collections throughout the US, Canada, and Asia.

Nazari has exhibited both nationally and internationally in galleries and museums including: the Bronx Museum, NY; Samuel Dorsky Museum of Art, NY; MANA Contemporary, NJ; Spartanburg Art Museum, SC; Masur Museum of Art, LA; New York Academy of Art, NY; Denise Bibro Fine Art, NY; Boccara Art Gallery, NY; Painting Center, NY; A Center for Contemporary Art, NJ; Illinois Institute of Art, IL; Manifest Gallery, IL; Woman Made Gallery, IL; China Millennium Monument, Beijing, China; Xuancheng Museum, Anhui, China; Lite-Haus Galerie, Berlin, Germany; Saba Institution, and Baran Gallery in Tehran, Iran.

Nazari has been a recipient of many awards including: the AIM Fellowship from the Bronx Museum, NY; the Creative Engagement Grant from the Lower Manhattan Cultural Council, NY; the Mentoring Program from New York Foundation for the Arts, NY (NYFA); a Visiting Artist Fellowship from MASS MoCA; an Artist Residency Fellowship from Cooper Union; an Artist Residency from Sculpture Space in Utica, NY, and; an Artist Residency from the Vermont Studio Center, VT.

Nazari received her MFA from the State University of New York in New Paltz in 2014 and her BFA from the School of Art & Architecture in Tabriz, Iran.

REVIEW


WORK



Persian Garden


IN ANTICIPATION OF SPRING


The Countryside


The City of the Future

EXHIBITIONS



Fin Garden

EXHIBITIONS



Geometric Balance


Dance of Colors


Harmony of Triangles


Morning Light


Relic


Deconstructed Cities #1

EXHIBITIONS



Deconstructed Cities #2

EXHIBITIONS



Deconstructed Cities #3

EXHIBITIONS



Deconstructed Cities #4

EXHIBITIONS



Unification Sculpture

EXHIBITIONS



Spiral Staircase


The Complexity of Looking #1

EXHIBITIONS



The Complexity of Looking #2

EXHIBITIONS



Persian Garden

EXHIBITIONS



Elements of Design #1

EXHIBITIONS



Elements of Design #2

EXHIBITIONS



Blue Interior

EXHIBITIONS



Pathway #2

EXHIBITIONS



Green Homes #1

EXHIBITIONS



Green Homes #2

EXHIBITIONS



Night View of Persian Homes with Stained Glass Windows

EXHIBITIONS



Deconstructivism #2

EXHIBITIONS



Futuristic Cities #1

EXHIBITIONS



Futuristic Cities #2

EXHIBITIONS



Architectural Reflection #1

EXHIBITIONS



Architectural Reflection #2

EXHIBITIONS



Beyond the Visible World

EXHIBITIONS



Studies of 17th Century Persian Architecture #1

EXHIBITIONS



Studies of 17th Century Persian Architecture #2

EXHIBITIONS



2021 ‘Unification’ at High Line Nine in Chelsea, NY, NY (curated by Roya Khadjavi Projects)

A virtual studio walkthrough and introduction to my new project, Unification. Experience time in my studio during New York City’s quarantine in the Spring of 2020.

Project Sponsor: Lower Manhattan Cultural Council (LMCC)

Unification is made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by LMCC.

Exhibition Curator: Roya Khadjavi Projects

Exhibition Location: High Line Nine Gallery, 507 W 27th St, New York, NY 10001

Exhibition Date: May 1st – May 15th, 2021


View of Casa Batlló’s Window


La Sagrada Familia

]


Sculpture Garden


Station


Music Room #3


UPROOTED, Chashama LIC, Oct 10th – Nov 10th, 2019

Uprooted Exhibition
Chashama LIC, 37-18 Northern Blvd, NY
Oct 10th – Nov 10th, 2019
Funded by Queens Council Grant & Puffin Foundation

PRESS RELEASE


Chashama’s Space to Present at 37-18 Northern Blvd. is pleased to showcase an exhibition of new paintings by Zahra Nazari. A public opening reception will be held for the artist on 10 October from 6:00 to 8:00 p.m. at 37-18 Northern Blvd., (Ground Floor) Long Island City, New York, 11101, and the exhibition will be on view 5 October through 2 November. Queens Council on the Arts and Puffin Foundation has funded this exhibition.

Uprooted, a new painting exhibition by Zahra Nazari is a spotlight on the lives of immigrants through the unique lens of Nazari’s abstract art style. After performing a series of interviews and extensive research on the lives of specific immigrants in Queens, NY, she applied her passion, style, and shared experiences to their journeys to the US. The result is recognition of the immigrant’s paths and dreams through abstract architectural paintings.

This exhibition demonstrates a divergence for the artist. The unseen forces of immigration have often influenced Zahra Nazari, herself being a recent Iranian immigrant to the US. Feelings of hope, fear, and displacement make their way into her subject matter, brush-strokes, and choices of color. This latest work’s goal is to create visual empathy for the shared experiences of all immigrants.

WORK



Point of Focus


View of the Garden

EXHIBITIONS



Summertime


520 West 28th Condo

EXHIBITIONS



Tatlin’s Tower

EXHIBITIONS



Dream Palace

EXHIBITIONS



Eastern Landscape


Revolve


Transparency


Melody of the Oculus, Federal Hall

EXHIBITIONS



Yellow versus Lavender

EXHIBITIONS



Urban Landscape

EXHIBITIONS



Metamorphosis Installation

Metamorphosis Installation
Cooper Union, New York City, NY, 2015

Acrylic on shaped industrial grade aluminum sheets, 84x180x72 inches

EXHIBITIONS



Urban Structure #23

EXHIBITIONS



Urban Structure

EXHIBITIONS



Mapping


Glass City

EXHIBITIONS



Inside Out Installation

Inside Out Installation
Morris and Gwendolyn Cafritz Foundation Arts Center, MD, 2014

Acrylic on wood panels, 100x110x36 & 48x30x36 inches

EXHIBITIONS



Points of Departure Installation

Points of Departure Installation
Samuel Dorsky Museum, New Paltz, NY, 2014

29 architectonic kite forms & 2 shaped canvas structures
acrylic & ink on canvas and Asian paper
60×35 to 18×40 in. (suspended pieces) 100x73x30 & 73x 210x 30 in. (freestanding pieces)


Park City #34

EXHIBITIONS



City #79

EXHIBITIONS



City #58

EXHIBITIONS



Cityscape Remix

EXHIBITIONS



Outpost

EXHIBITIONS



Landscape #18

EXHIBITIONS