11EPC2022


Interplay, Hollis Taggart Gallery, Nov 30th 2023 – January 6th 2024

Interplay
Hollis Taggart Gallery 521 W 26th St, New York, NY
November 30th 2023 – January 6th 2024

REVIEW


­­Zahra Nazari: Interiors

In her Interiors painting series, American Iranian-born painter Zahra Nazari draws on prominent features in classical Persian and Islamic architecture—decorative botanical motifs, arch, and particularly, iwan, the large, vaulted hall semi-enclosed and usually walled on three sides, with one end entirely open. Many scholars believe its origin can be traced back to the Parthian era. While looking at Nazari’s luminous surfaces, it may be interesting to keep in mind the dual role of the Persian arch—it serves both decorative and functional purposes—this richly decorated key aesthetic element in Persian architecture functions not only as an ornament but also as a structural support that provides stability. It is also designed to moderate the amount of sunlight that enters space, especially in iwans or other open spaces. Nazari’s frequent use of Mylar as a surface stirs a play on the notion of external and internal light, and simultaneously, her saturated color palette invokes a hot and arid climate with bright, sunlit days and crisp nights. Repetitive and rhythmical, these motifs coalesce into energetic, translucent, and luminous surfaces, evoking an interior space in flux.

Zahra Nazari elaborates on her ideas and process in this interview with Art Spiel:

WORK



Zahra Nazari: A Retrospective, Cinema Supply, Sept 15th, 2022 – March 31st, 2023

Zahra Nazari: A Retrospective Exhibition
Cinema Supply, 217 W 21st Street, New York, NY
Sep 15th, 2022 – March 31st, 2023

REVIEW


Iranian-American Zahra Nazari’s abstract architectural paintings bring together two distinct worlds

Zahra Nazari’s work is a unique composite of gestural abstraction and intricate architectural painting. This combinations creates a compelling visual narrative with a mixture of pure abstraction and geometry gives the viewer a reason to stop, stare, and wonder. Today, her artwork is known for its gestural rhythms, layered density, organic feel, and the use of architectural and floral influences inspired by traditional formats from her native land of Iran. The artist herself offers a captivating tale of an artist who risked everything to break into the New York artworld–more on this later.

After getting a sneak peek of her latest exhibition at Cinema Supply–the recently renovated former warehouse building at 217 W 21st Street in Chelsea, NY, and a tour of her new studio, Art Review City is pleased to share her unlikely, and often surprising, story with our readers:

WORK



Blue Interior

EXHIBITIONS